Source: BinB - Il était une voix... Matthew Bellamy // Muse 

Drogues, sciences, astronomies, aliens, musique, vous l'aurez compris aujourd'hui on parle de Muse et de tout ce qui a fait leur succès. Enjoy !

https://www.youtube.com/watch?v=aIlSTxhnovI

"Pff de toute façon il n'y en a que pour elle et moi alors hein ? Tu penses à mes sentiments ? Est-ce que tu as vu ce qui a changé en moi au moins ? Est-ce que tu as vu hein ?! NON !!! J'ai tout fait pour toi ! J'ai perdu du poids, j'ai même changé de couleur mais non Monsieur ne voit rien il préfère regarder les belles fesses de toutes ces dames et ensuite regarder les aliens alors que moi je me suis tué pour ce couple !!! J'en ai marre Matthew  de cette relation à un sens j'en ai assez tu entends, j'en ai assez !!!"

"OOOHHH DOM arrête voir deux minutes sérieusement ! Tu as changé de jeans non c'est ça ?"

"Raaaah !!! Matthew James Bellamy je rentre chez ma mère !"

Je voulais aujourd'hui vous faire partager un petit article plutôt sympa mais pas non plus pittoresque sur les capacités vocales de Matthew Bellamy. On peut tous s'accorder à dire que sa voix reste à elle seule tout un phénomène. Voici donc une petite révision générale de son talent à travers un article. J'ai laissé ce dernier en anglais ne trouvant pas sa difficulté fulgurante, je demande pardon à l'avance pour tous les anglophobes mais n'oubliez pas que vous pouvez toujours poser des questions et qu'il ne faut pas hésiter ! Enjoy !

Source: thevocalvortex.tumblr

Matt Bellamy

Vocal Classification: Full-Lyric Tenor (possibly Spinto)

Vocal Range: A2 - G#5 - D6 (3 octaves, 3 notes)

Best Vocal Performances: Starlight, Plug In Baby, Knights of Cydonia, Madness, Spiral Static

Lower Register (A2 - F3): Matt’s lower register, although he barely goes below C#3, is dark, and is of a heavy, steely character (Spiral Static), and has great projection down Bb2, which these days, is a great bottom note for a tenor. Due to the darkness, ease, and steeliness present, he could be mistaken for a Spinto or Dramatic Tenor, however his voice is of a earthier, brighter nature than a large voice like that. As a whole, it’s an easy, effortless and dark register for him, and it could be useful if he uses this part of his range. 

Middle Register (F#3 - E4): The mid-range is of a dark, yet lighter tone than the lower register, and has a full timbre within. It’s used for intricate and dexterous phrasing, or paced, musical phrasing if needed (Explorers), and can use many different types of emotions to convey to the listener within this part of his voice.

Mixed Voice/Upper Chest (F4 - G#5): The mid-belts, from F4 to B4, are bright and resonant, and can use a gravelly vocal texture (Falling Down), but can also have a tone that is clear and perfect enunciation (Starlight, Sing for Absolution). The mixed voice is elastic, paper-thin, but has incredible sustaining abilities and can apply a slight huskiness as well (Plug In Baby). Even at the top his full voice, Matt’s sustaining powers are easily in the upper echelon of the male voice (Showbiz).

Falsetto/Head Register (B4 - D6): The falsetto from somewhere in the 4th octave to D5 is light and airy, but can have a creamier tone if needed (Map of the Problematique). However, above that is full, bright head voice that can have a wide, piercing vibrato (Micro Cuts, Survival). It’s underutilized, vocally, however.

Vocal Ability: Matt’s best ability is to change his vocal shaping, from being a small, light tone (Madness), to being a full, bigger tone (Suppermassive Black Hole). His phrasing is light and intricate, and he has the ability to use a raspy, husky texture whenever needed within his range. With a spot on enunciation, he’s very well off when it comes to pronounciation.

Natural Qualities: Matt’s tone is unique and full, with a slightly bright, yet fuller timbre and a wide, ringing vibrato with some great natural dexterity and a great vocal usage of phrasing and producing many different tones.

Overall: A-

https://www.youtube.com/watch?v=e0RU0sWCMtc